Miss White: a movement activity

Most of you are probably familiar with the chant "Miss White."  I love this chant and use it every October!

I found a great resource on TpT - not mine - that teaches this chant well and is a great set-up for either introducing or practicing ta ti-ti.  You can find it here.

Anyway, after I introduce the chant, I've always been at a loss as to what to do with it from there.  I've been tweaking this movement plan for a couple of years, and I finally love what I have.

First, I tell the students that my music classroom has become "haunted."  I have laminated pictures of ghosts with numbers, that have different rhythms on the botttom.  Examples:

I spread these ghosts around the floor, and the students travel around the room while saying the chant in a "ghostly" voice.  They have to stop near a ghost and clap the rhythm on it.  We do a couple of group practices ..... then ...... oh no!  Somebody called the Ghostbusters! I pull a number out of a container, and whichever students are at that ghost are eliminated!  They first must clap their rhythm as a solo or in a small group.  We continue playing until only one student or group of students is left.  Basically, it's kind of like musical chairs, but way less dangerous :)

For my eliminated students, I don't like them just sitting out doing nothing, so I send them over to the tubanos, and they play the rhythm of the chant while the others are walking around.  It keeps them engaged the whole time, and they love giving me a drumroll before I announce the next elimination. 

Small and simple, yet so fun!  My kids love this activity.  Hope you all can find a use for it.  Happy October!

Exploration!

EXPLORE!!!!!

Vocal Exploration. I'm sure many of you are doing this frequently.  It is so good for young voices! I use exploration with my younger students to discover high vs. low, smooth vs. choppy, long vs. short, and so much more.  I have some pre-made sets that I show on my white board, or have the students draw on the board with a marker.  They've even followed a leader as they wave a scarf or some object, and students will follow that with their voices.  We pick a neutral syllable, and off we go!  As simple as it sounds, the kids really do enjoy it.

Movement Exploration.  I'm Kodaly trained and have been doing vocal explorations forever.  But, I recently have been working on my Orff certification, and have been using lots and lots more movement activities in my classroom.  To clarify - I've always been moving in class, but it used to be really structured all of the time - folk dances, specific actions, etc. I still do all of that, but in Orff, a huge push is for improvisation and exploration.  This past summer, we really worked on exploring different pathways through movement - zigzag, spiral, straight, etc.  And then it dawned on me - why can't I use the same exploration activities through movement that I'm already using with voice?

So easy, and maybe I'm the only one that hadn't thought of this - but it's so much fun!  The kids love finding pathways through the music room.  Fun really happens when they use their voices and movements at the same time.

So, I uploaded this little file to Teachers Pay Teachers - free from now until Thanksgiving 2015.  You can click here to get it.

Included are some basic exploration slides, like this:

 Also, a couple of slides where the kids can create their own pathways, like this:

And, a couple of printable worksheets for your kids to draw/color, like this:

Simple and effective - just the best!

Have a Happy Thanksgiving!

Swat that bus!

If you've ever looked around this blog, you'll know that I love fly swatter games.  They are great for individual assessments - and the kids don't even know you're testing them!  You just split them into teams, and 2 at a time come and try to identify the rhythm that you clap.

Here are all the makings of a great lesson:

We first read the book "Don't Let the Pigeon Drive the Bus!" by Mo Willems.  You can see that book here:  

After every page, we practiced saying the phrase "Don't Let the Pigeon Drive the Bus."  The kids love the pigeon books, and so do I :)

Anyway, after the book was read, we figured out the rhythm together.  We decided it was "ta ti-ti ti-ti ti-ti ta rest rest rest."  We've been learning about bar lines, and it was a great moment to decide where the bar line was, and how many rests we needed to fill up that measure!

I found these foam buses in the dollar bins at Target.  I love foam manipulatives!  I have drawers and drawers full of them.

For only $1, it came with 10 pieces.  I was able to write different rhythms on them with a sharpie, and the fly swatter game commenced.

Great day!  We were able to incorporate literature, aural dictation, and aural assessments all on one day.

Little Sally Water - add shapes!

Many of you know the folk song "Little Sally Water."  It's in the good old 150 American Folk Songs (orange book), and I've used it for years.

It's wonderful for teaching so-mi-la - and especially for isolating so-mi on the "turn to the east" part.  I've used this with my kinders for high/low and then labeled the solfa in 1st grade.  Great, great song.  The original game is also fun for my kids:

The children stand in a circle, joining hands.  One child stands in the middle as "Sally," covering his or her eyes as the rest sing the song.  "Sally" imitates the song throughout, pointing at another player at the end of the song, still covering their eyes so the choice is accidental.  The chosen player becomes "Sally," goes to the center, and the game starts again.

Fine.  Simple game, and the kids do enjoy it, but do get bored easily.  So, I've been trying to think of different ways to do this, as I do love the song and it is great for teaching so many things.  And then it came to me - movement!

As I've been going through my Orff levels (I completed Level 2 this past summer) I've really been trying to incorporate a lot more movement in my classroom.  I love using Kodaly approaches to music literacy and beautiful singing, but the Orff improvisation and movement really speak to me as well.  I feel that really, you can tie both approaches together, and your students end up better musicians.  Anyway, one thing we worked on a lot in my Orff classes was creative movement, and creating different kinds of shapes with our bodies.  The Laban Movement Analyses words for the 4 basic kinds of shapes are ball, pin, screw, and wall.  Here are some pictures of my adorable daughter demonstrating these types of shapes:

Ball shapes are rounded shapes.  

Pin shapes have sharp angles.

  

Screw shapes are twisted. 

Wall shapes are large and flat.

So, as a class, we decided that "Sally" was going to find a shape he/she liked.  Students sang the song and walked around "Sally," as regular, but on the words "east," "west," and "best/next," they created different statues.  "Sally" would then walk around, find a statue he/she liked, and copy that shape.  The student whose shape was copied would then become the next "Sally."

I loved this, because the kids were improvising/arranging what they already knew.  They were practicing making different types of shapes, and we were labeling them with new vocabulary!  I also loved that it really eliminated any kind of talking we had going on before - because their statues had to stay still (including no talking!)

How else would you improvise on this?

I've also created an analysis file you can use to present ta/ti-ti or so mi la to your kids on Teachers Pay Teachers here.

Let's go fishing!

I recently came across this really cute Guatemalan folk song:

If anybody knows me, I love all things Latin American - except beans.  For some reason, I just hate those!

Anyway, this is a great song for teaching ta rest for your 1st graders, or bringing it back later on to practice low so.  I wouldn't really use it to present that, because the interval is always re-so, but it would help enforce I-V accompaniment, and is really good for practicing that interval.

Latin American folk songs often have an uneven feel to them, because a lot of the time, their phrases are a little uneven - just different from what we're used to here in the good old U.S.A.  This song has that uneven phrase thing - sort of.  It has 4 equal-in-length phrases, but each phrase is 6 beats long.  That's a little unusual - but cool.  Something that you can point out to your kiddos!  The form is ABA'B - so it's great for pointing that out as well.

The words are:

1. Vamos a la mar, tum, tum,

A comer pescado, tum, tum.

Boca colorada, tum, tum,

Fritito ya asado, tum, tum.

2. Vamos a la mar, tum, tum,

A comer pescado, tum, tum.

Fritito y asado, tum, tum,

En sarten de palo, tum, tum.

The meaning is (not an exact translation, but this way it can also be sung in English)

1. Let's go to the sea

To get fish to eat.

Mouth as red as ruby,

Grilled and fried and crispy.

2. Let's go to the sea

To get fish to eat.

Grilled and fried and crispy

In a wooden skillet.

There is not a game that I can find, but you could have the kids create their own (mine love doing this).

I found a cute little video of some kids adding body percussion to this song.  They do it a little differently - they add an extra measure of rests to make the phrases even.  Find that video here.

Also, since this song is so great for practicing/presenting ta rest, I came up with a little game I call "Fishing for Rhythms."  Basically, you print off a set of these cards:

Cut them out, laminate them, etc.  Then, you can spread them around the "pond," face down.  A student has to "fish" for a rhythm and either you can do individual assessment - that student performs it by themselves, or you can have their team perform it.  Either way, if it is performed correctly, they get a point.  If it is incorrect, have them throw it back in the "pond," and continue playing.

You can also use these cards for games like "Post Office" or the fly swatter game - you know how much I love that one :)  I've provided a set of these cards (12 in total, practicing ta, ti-ti and ta rest) in both color and black and white.  You can get my whole file on this song (and support my adoption savings) here.

OR, you can wait until next week, when I'm throwing a big Cinco de Mayo sale and get this for 20% off, as well as all of my other Spanish language files :)

Happy Easter, 100 followers and a forever freebie!

Last Friday (March 27) I reached 75 followers on Teachers Pay Teachers, so I posted a little freebie I developed to the "Bunny Hop!"  You can find it here.  It's been pretty popular, and now I'm over 100 followers, so I'm throwing a sale today!  Everything in my store is 20% off!

Here's a preview of the freebie:

I developed a little rhythm stick play-along for my 1st graders, as they are practicing ta and rest right now.  The form of this song is so repetitious, it is so easy for my 1st graders to follow along:

Then, I thought it would be fun to extend this into a stick-passing game.  Now, I don't know if you have ever tried stick passing games with your young ones before, but it is basically impossible to ask 1st graders and Kindergartners to pass sticks to the beat.  They just haven't developed enough yet.  But, I am preparing them for the future.  So, when you first start a passing game, just work on passing the correct direction.  Also, start with only one object.

Once they are doing well with the right direction, you can start encouraging them to pass only on the downbeat.  This reinforces the downbeat, as well as slows it down enough so that your kids can be successful.  Add more objects as your kids feel more successful.

Older grade levels could have fun with this as well.  Have them pass to the rhythm of the rhythm stick play-along.  On the fourth measure every time, though, have them hold on to the stick instead of passing it right away.  They tap to their right (in front of neighbor), then in front of themselves, then to their right again, where they finally pass it.  It's kind of like the end of "Pass this Shoe," if you've ever played that one before.  If not, check out Amy Abbott's blog here.  She has a fantabulous post about shoe passing games.

Of course, the Bunny Hop would not be complete without actually doing the dance.  Here are the steps, if you are not familiar:

You can also see people doing it on the Lawrence Welk show here:

My kids are really enjoying this!  Hope you have fun with it as well!

Wind Up the Apple Tree

While I was looking through my school's music textbooks (We have the Making Music series), I found this lovely song in the 1st grade curriculum:

What a great fall song!  You could use this in September/October (paired with Apple Tree and other apple-themed songs).  You could also change the type of fruit to meet the season:  how about "Christmas Tree" for December, or "cherry tree" for spring?  So many choices!

What a great song for 1st graders!  It uses exclusively so, mi and la - which is my focus in 1st grade, and is also a great song to use for ta rest.  PLUS, it has a cute game that my students really enjoyed.

Now, there is one thing that is slightly confusing about this song if you use it to teach rhythm:  If you look at measures 3 and 5, there is a paired eighth note, even though there is only one word underneath.  I feel that if this is confusing for your students, you could change it to a ta and use so-so-so.  Otherwise, the rhythm is very accessible.

The melody in this song is great for reviewing so, mi, la, or even presenting la.  I made a little presentation for this song - you can find it on my Teachers Pay Teachers page here:  Wind Up the Apple Tree

Here's a preview:

I have beat slides:

I have rhythmic icons:

I have rhythmic notation:

I even have stick notation:

I have melodic preparation:

And the melody on a 3-line staff:

But, best of all is the game:

My kids really enjoyed this game!  I found it would be really nice to attach it to the end of your regular "Apple Tree" game.  (Read about it here if you don't know it)  Your kids are all holding hands in a circle anyway - it's a nice little add-on :)

Here are a couple of videos of kids playing this game:

I just love finding new repertoire, don't you?  :)

Oh, the Wind Blew East

One of the things I actually really enjoy doing is going to music workshops on Saturdays.  Call me crazy - it's really my only day off with work from Monday-Friday and church responsibilities on Sundays - but these workshops get me so energized that I go back to work so excited and I truly believe that they make me a better teacher.  Naturally, I don't go every Saturday - it ends up being maybe once every couple of months or so. :)

Anyway, I went to an Orff workshop last year.  Julie Scott was the presenter, and she was absolutely amazing!  She shared this wonderful song with us:

There are actually several different versions of this song out there.  It originated, as far as I can tell, in the Bahamas, where the lyrics were a little different:

1

Oh, the wind blow east,

The wind blow west,

The wind blow the Sunshine

Right down in town.

2

Oh, the wind blow the China

Right down in town.

Oh, the wind blow the China

Right down in town.

3

Oh, the wind blow east,

The wind blow west,

The wind blow the Settin' Star

Right down in town.

Apparently, the "Sunshine," "China," and "Settin' Star" are sloops that had been blown ashore by hurricane-force winds.  But then, as many folk songs do, it kept getting changed and adapted as time went on.  I also found this version in my research:

And this one:

What a great song to use in October!  I know that many music teachers teach in a Halloween-sensitive environment, where more and more we are asked to not teach songs about witches or ghosts, or things like that, but this one is great for talking about fall leaves blowing into town!

So many great things about it - I've used it with my little ones for talking about high and low voices (the first version, on the Whoo-oos!).  I've used it for talking about fast and slow, since there are two tempos for this song.  And best of all is when you dramatize this song!  At the workshop, I learned it this way:  you can have half of your kids act as leaves, and half act as the wind.  The leaves lay on the ground, but as the wind blows them, they roll into town.  Then, you can have the kids switch.  So much fun!

I've also adapted it to where I got little fabric leaves at the dollar store, and the kids try to blow them "into town," or a designated area.  I've split them up into teams to see who could blow their leaves the quickest - rule is that they cannot touch the leaves, only blow.  They absolutely love it!

You could also adapt this song so many different ways:  in winter, you could have the wind blow the snowflakes, in the spring it could blow the raindrops, in summer, it could blow dandelions....you get the picture :)  You could also have your kids improvise whatever the wind is blowing.

Here are a couple of videos with different versions of this song:

Engine Train game

I blogged a few days ago about "Engine Engine Number Nine."  Last year, I found this great resource for FREE on Teachers Pay Teachers:

Find it here:  Engine Engine Number Nine

Lindsay Jervis, a fellow Kodaly teacher here in Kansas (but 3 hours away in Wichita - I'm near Kansas City) has mapped this out perfectly for the Kodaly classroom.  Even if you're not Kodaly trained, you can totally benefit from this.  It has beat charts, iconic rhythmic notation, and is just very, very cute.

Anyway, I'm working with my 1st graders on ta and ti-ti, and getting them to clap them correctly.  So I decided to take a different direction with this.  I made 2 versions of this game - one to play with the whole group, and the other to play at centers or with smaller groups.

The large group game starts with this menu screen:

I've uploaded this to Teachers Pay Teachers as a PowerPoint, so you just click on one of the numbers, and it takes you to a rhythmic slide, like this one:

After they have tried, click on the train in the lower right-hand corner to bring you back to the menu screen.

Each slide is worth 1 or 2 points, so you just split the class in half, keep track of points, and the winner is the one with the most points at the end, or the first team to 10 points, depending on what you want.  I like to use this version first, before I split into smaller groups/centers, to give the kids a chance to learn how to play.

Now, for the small-group version, I actually made it a board game.  It's kind of on the same level as Candyland, so I practiced playing with my 4-year-old daughter.  Granted, she knew what ta and ti-ti were when she was 2, but still......

Here's the game board:

You can print out these differently-colored trains and laminate them to use as tokens:

Or, you can do what I did and use those cute little train whistles from Oriental Trading as game tokens:

 Choose a player to go first (I usually settle arguments with rock, paper, scissors), and they draw a card.  The cards have the same rhythms as the group game, but are smaller.  You can print this part out for the back if you'd like.  I actually just glued all the smaller cards on red construction paper, then laminated them:

And here's a view of the fronts:

The first player draws a card and claps it.  If they clap it correctly, they can move forward 1 space for 1 point, and 2 spaces for 2 points.  Here's a picture of my daughter clapping the rhythm:

And here she is moving her train:

Simple, but effective!  My favorite kinds of things!

You can get the whole train game here:  Engine Engine Number 9 Train Game.  It's not free, but hey, I'm trying to save up for adopting another child and adoption is expensive :)

Engine Engine Number Nine

Engine, engine number nine

Going down Chicago Line.

If the train falls off the track,

Will I get my money back?

 

That's the way I learned it - there are so many versions, all of them good but a little different.

 

Such a great chant for teaching ta, ti-ti, steady beat, and so much more!  I also like using it to get the students to improvise a so-mi melody.  So many uses!

 



A couple of years ago, I found these really cute mini train whistles on Oriental Trading. 

 

I just checked, and they don't carry these exact ones anymore, but they have other cute train stuff, including some cute wind-up trains I'm really tempted to buy.

 

Like many of you, I love using this chant to prepare/present/practice steady beat, quarter notes and eighth notes.  My kids really like it too, because I always have them form little trains and walk around the room to either the beat or the rhythm, depending on what we are working on.

 

Then, I came across these adorable train track beat charts on bethsmusicnotes.blogspot.com.  (I just adore her blog - she's got so many great songs and resources)

 

I thought it would be great to actually give each student a train whistle so they could visually move it across the chart as the song progresses, like this: 

Instant success!  Some of my (1st grade) kiddos were having a hard time pointing at regular beat from left to right, but the little manipulative really helped them.  Love it so much!



More fly swatters!

A few weeks ago I was at Dollar Tree (I really should by stock in that store since I get a lot of stuff there) and found these awesome fly swatters:

Just for an idea on how big these really are, here is my 4-year-old daughter holding one up:

My students absolutely love them!  One student told me that these were big enough to "whack an elephant!" 

Love it!  You must go buy them now!

I have blogged before about my "fly swatter" games that I like to play in class.  I have recently uploaded a few products to Teachers Pay Teachers (some free) that would be great to use these with:

1. Rhythm flash cards (one set is free, the others are a bundled set).  I like these because they are color-coded by rhythmic concept. I include large flash cards for large-group practice, and smaller flash cards that you can print, cut out, and laminate for small group practice, fly swatter games, memory games, etc.

You can get the ta ti-ti set for FREE here:  Ta ti-ti flash cards

You can get the bundled rhythm set here:  Bundled flash card set  Not free, sorry - but $4 gets you lots and lots of flash cards for all of the following rhythmic concepts:  

ta, ti-ti, ta rest

half note, half rest
sixteenth notes (tika-tika or tiri-tiri)
sixteenth/eighth note combinations (ti-tika, tika-ti or ti-tiri, tiri-ti)
syncopa
dotted quarter, eighth note (tom ti)

Here is an example of what a flash card looks like:  Simple, but effective

2. Rhythm Fly Swatter game:  you can get the ta, ti-ti, ta rest set for FREE here:  Ta ti-ti rest bug swatter game

Here is an example of one of the printable pages.  You cut them out, laminate, and swat away!

3.  I don't just advertise my own stuff.  I would be nowhere without the examples and help from other music teachers.  One of my heroes - never even met her - is music teacher Amy Abbott.  Read her amazing blog here:  Amy Abbott's music blog.  Anyway, she has recently uploaded a lot of "fly swatting" games to TpT - with rhythmic, melodic, and recorder skills.  She has them for sale individually, in bundles, and more.  Check them out here:  Amy Abbott's fly swatter games.